Showing posts with label Mark Callanan. Show all posts
Showing posts with label Mark Callanan. Show all posts

11/29/2011

all its little gadgetry

Chad Pelley: What is your favourite part of the writing process? Your least favourite?

Mark Callanan: I’ve always appreciated that Dorothy Parker quote: “I hate writing; I love having written.” Let that be my mantra. I find writing extremely difficult to do; I’m too concerned with doing it well to actually enjoy myself. That being said, there’s a moment that comes, countless drafts in, when the elements that constitute a poem start snapping into place, when all its little gadgetry suddenly works and those disparate pieces unite to a single purpose, when the trajectory of the poem seems inevitable — that’s the good bit: when the poem works, when it becomes more than the sum of its parts. Otherwise, it would seem like a lot of pointless toil and frustration.

- Mark Callanan, in interview over at Salty Ink. You can read the whole thing here.

8/01/2009

good writing is good thinking committed to print

Michael Lista: This is all very, very fine work, and though the thinking is extravagant, it’s never gaudy, or at the expense of the lyric.

This is part of the reason why Pure Product is such a noteworthy book; the generation of Canadian poets who came before us, Mark (you, Guriel, and I are all about the same age) force fed us the fallacy that one must either be a thinking poet or a singing poet. One was either avant-garde or lyric. What no one wants to admit is that most of the so-called avant-garde poets can’t write, and most of the so-called lyric poets can’t think. Guriel strikes a bold middle ground; he consistently strives to overlay serious lyricism with serious aesthetic commentary, and he does so with grace, effortlessness, and humour.

Mark Callanan: You say that Guriel “strives to overlay serious lyricism with serious aesthetic commentary.” I think that’s a valuable point to consider, how his poems successfully combine intellectual inquiry (and specifically, inquiry into aesthetic concerns) with deft lyricism. Guriel’s poems are proof of what should already be obvious to us as readers: good writing is not empty guff, like the voice actor whose rich baritone sells useless gadgetry—pretty to listen to but empty of anything approaching meaningful insight; good writing is good thinking committed to print.

- Michael Lista and Mark Callanan on Jason Guriel's Pure Product. Read the whole exchange here. Thanks to Zach Wells for pointing this out.