Dean Rader: Where do you think you find the language for your poems? What do you want that language to do and be?
Matthew Zapruder: I think a misconception some people can have about poets is that they are mainly interested in "language" as pure material, as something outside of its function as a communicative mechanism. Maybe this is because at least on the surface some poems seem uninterested in a reader. I am very interested in the reader, in fact there is probably nothing I am more interested in.
It is not exactly a breakthrough in cultural criticism to point out that nowadays our world is filling itself up more and more with distractions that take us out of the moment and into other spaces. I write poems to take myself out of that distracted, half aware, limited space, which I am just as susceptible to as anyone else. And when I find the "door" it comes in the form of some sentences that I, and also anyone else who picks up the poem, can read and understand and feel something deeper and stranger and more mysterious and more real.
- Matthew Zapruder in conversation with Dean Rader over at The Huffington Post. You can read the whole thing here.